{"id":5945,"date":"2021-04-15T09:30:49","date_gmt":"2021-04-15T05:30:49","guid":{"rendered":"http:\/\/qarabag.com\/?p=5945"},"modified":"2021-05-01T13:29:00","modified_gmt":"2021-05-01T09:29:00","slug":"poets","status":"publish","type":"post","link":"https:\/\/qarabag.com\/poets\/","title":{"rendered":"Poets and Poetesses born in Shusha"},"content":{"rendered":"
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Qarabag.com<\/a> continues publishing materials about outstanding natives of Shusha and presents a list of famous Azerbaijani poets and poetesses, who have left a rich artistic heritage in the national literature.<\/strong><\/p>\n\n\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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No.<\/span><\/strong><\/p>\n<\/div>\n<\/td>\n

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First<\/span> <\/span>name<\/span>, <\/span>last<\/span> <\/span>name<\/span><\/strong><\/p>\n<\/div>\n<\/td>\n

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Years<\/span> <\/span>of<\/span> <\/span>life<\/span><\/strong><\/p>\n<\/div>\n<\/td>\n

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Mark on history<\/b><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/thead>\n

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1.<\/span><\/p>\n<\/div>\n<\/td>\n

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Hasan<\/span> <\/span>B<\/span>ek<\/span> <\/span>Hadi<\/span> <\/span><\/p>\n<\/div>\n<\/td>\n

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1835 \u2013 1900<\/span> <\/span><\/p>\n<\/div>\n<\/td>\n

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Hasan<\/span> <\/span>B<\/span>ek<\/span> Garabaghi<\/span> wrote poems under the <\/span>alias<\/span> of Hadi. His literary heritage consists mainly of ghazals as well as epigrams and libels written in the classical style.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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2.<\/span><\/p>\n<\/div>\n<\/td>\n

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Gamer <\/span>Beiim<\/span> Shade<\/span><\/p>\n<\/div>\n<\/td>\n

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1881 \u2013 1933 <\/span><\/p>\n<\/div>\n<\/td>\n

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The Institute of Manuscripts of the Academy of Sciences of the Republic of Azerbaijan holds two copies of <\/span>her<\/span> manuscripts from 1918: “Agan Jany” ghazal and “Flood of suffering” play. <\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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<\/span>3.<\/span><\/p>\n<\/div>\n<\/td>\n

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Janizade<\/span> Abdullah Pasha<\/span><\/p>\n<\/div>\n<\/td>\n

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<\/span>1782-1840 <\/span><\/p>\n<\/div>\n<\/td>\n

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He had a unique poetic gift. He possessed samples of both classical poetry and lyrical, folkloric, and even satirical poetry. <\/span>But<\/span> <\/span>he<\/span> <\/span>was<\/span> <\/span>especially<\/span> <\/span>renowned<\/span> <\/span>for<\/span> <\/span>his<\/span> <\/span>epigrams<\/span>.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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<\/span> <\/span>4.<\/span><\/p>\n<\/div>\n<\/td>\n

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Gasim<\/span> <\/span>B<\/span>ek<\/span> Zakir<\/span><\/p>\n<\/div>\n<\/td>\n

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<\/span>1784 \u2013 1857<\/span><\/p>\n<\/div>\n<\/td>\n

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Gasim<\/span> <\/span>B<\/span>ek<\/span> Zakir<\/span> was an outstanding representative of critical realism in Azerbaijani literature of the first half of the 19th century, propagandizing the necessity of cultural rapprochement of Azerbaijanis with Russians and Transcaucasian nations.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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5.<\/span><\/p>\n<\/div>\n<\/td>\n

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Ib<\/span>rahim <\/span>B<\/span>ek<\/span> <\/span>Azer<\/span><\/p>\n<\/div>\n<\/td>\n

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<\/span>1836 \u2013 1885 <\/span><\/p>\n<\/div>\n<\/td>\n

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He wrote poems under the <\/span>alias<\/span> <\/span>of Azer. Ibrahim <\/span>B<\/span>ek<\/span> Azer wrote poems in classical style (poetic size of aruz) in Azerbaijani and Persian languages.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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6.<\/span><\/p>\n<\/div>\n<\/td>\n

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Memo <\/span>Bek <\/span>Memai<\/span> <\/span><\/span><\/p>\n<\/div>\n<\/td>\n

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1849 \u2013 1918<\/span><\/p>\n<\/div>\n<\/td>\n

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Memo <\/span>B<\/span>ek <\/span>Memai was one of the most active members of the Mejlishi Uns, an association of poets headed by famous female poet<\/span> Khurshudbanu Natav<\/span>an.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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7.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza <\/span>Alesker<\/span> <\/span>Novres<\/span> <\/span><\/p>\n<\/div>\n<\/td>\n

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1836 \u2013 1912<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza <\/span>Alesker<\/span> <\/span>Novres<\/span> was an active member of the Mejlishi Uns, an association of poets headed by famous female poet Khurshudbanu Nata<\/span>v<\/span>an.<\/span><\/span><\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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8.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza <\/span>B<\/span>ey<\/span>baba<\/span> <\/span>Fen<\/span>a<\/span><\/p>\n<\/div>\n<\/td>\n

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1787 \u2013 1867<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza <\/span>B<\/span>ey<\/span>baba<\/span> wrote poems under the alias <\/span>of <\/span>Fen<\/span>a<\/span>.<\/span> He compiled a collection of poets from Shusha and rewritten several books.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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9. <\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza Hussain <\/span>Bek<\/span> <\/span>Salar<\/span><\/p>\n<\/div>\n<\/td>\n

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1824 \u2013 1876<\/span><\/p>\n<\/div>\n<\/td>\n

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He was one of the best masters of the merciier poetry genre (lament).<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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10.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza Ibrahim <\/span>Bek<\/span> <\/span>Syaba<\/span>\u00a0<\/p>\n<\/div>\n<\/td>\n

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1801 \u2013 1877<\/span><\/p>\n<\/div>\n<\/td>\n

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People called him “Mirza” because of his education and comprehensive knowledge. Under his alias <\/span>of <\/span>“<\/span>Sya<\/span>ba<\/span>” he wrote many touching poems. <\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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11.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza Muhammad <\/span>Katib<\/span> <\/span>\u00a0<\/p>\n<\/div>\n<\/td>\n

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1827 \u2013 1889<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza M<\/span>u<\/span>hammad bek has favoured both the classical genre and the style of Ashug poems in his art.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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12.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza Mu<\/span>hamma<\/span>d <\/span>Kerim<\/span> <\/span>Bek<\/span> <\/span>Kebirli<\/span> <\/span><\/p>\n<\/div>\n<\/td>\n

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1785 \u2013 1840<\/span><\/p>\n<\/div>\n<\/td>\n

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He participated in the design of the cathedral mosque under construction in Shusha, created several handwritten books of the Koran with great skill, and taught.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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13.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza Ra<\/span>h<\/span>im <\/span>Fena<\/span><\/p>\n<\/div>\n<\/td>\n

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1841 \u2013 1931<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza Rahim Fena was one of the initia<\/span>tors of the literary community <\/span>Majlis<\/span>i Uns<\/span> (“Meeting of Friends”), led by by famou<\/span>s female poet Khurshudbanu Natav<\/span>an<\/span>.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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14.<\/span><\/p>\n<\/div>\n<\/td>\n

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Mirza <\/span>Sadig<\/span> <\/span>Piran<\/span><\/p>\n<\/div>\n<\/td>\n

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1822 \u2013 1893<\/span><\/p>\n<\/div>\n<\/td>\n

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He wrote poems under the alias Piran<\/span>. <\/span>He often took part in meetings of the literary <\/span>c<\/span>lub<\/span> <\/span> Majlisi<\/span> <\/span>Uns<\/span> <\/span>(“Friendship Society<\/span>“), headed by the famous female poet<\/span> Khurshudbanu Natavan<\/span>.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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15.<\/span><\/p>\n<\/div>\n<\/td>\n

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Molla<\/span> <\/span>Zeynalabdin<\/span> <\/span>Sageri<\/span><\/p>\n<\/div>\n<\/td>\n

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1791 \u2013 1854<\/span><\/p>\n<\/div>\n<\/td>\n

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Molla Zeynalabdin Sageri is the author of two divans (a collection of poems) in Azerbaijani and Farsi, and his ghazals, ghasids, rubai and other poems exceed one thousand.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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16.<\/span><\/p>\n<\/div>\n<\/td>\n

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Muhammad Ali <\/span>Bek<\/span> <\/span>Mehfi<\/span><\/p>\n<\/div>\n<\/td>\n

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1832 \u2013 1892<\/span><\/p>\n<\/div>\n<\/td>\n

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Muhammad Ali <\/span>Bek<\/span> <\/span>Baharli<\/span> is also considered to be the author of the historical piece “Ekhvalati Garabagh”. In his work, the author pays more attention to architectural monuments, historical personalities, traditions and customs, and the ethnography of Karabakh.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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17.<\/span><\/p>\n<\/div>\n<\/td>\n

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Muhammad <\/span>Bek<\/span> <\/span>Ashug<\/span><\/p>\n<\/div>\n<\/td>\n

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1800 \u2013 1861<\/span><\/p>\n<\/div>\n<\/td>\n

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He is one of the oldest Karabakh poets who <\/span>created in the 19th century. <\/span>He<\/span> <\/span>wrote<\/span> <\/span>under<\/span> <\/span>the<\/span> <\/span>alias<\/span> of<\/span> <\/span>Ashug<\/span>.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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18.<\/span><\/p>\n<\/div>\n<\/td>\n

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Navvab<\/span> Mir <\/span>Mohsun<\/span><\/p>\n<\/div>\n<\/td>\n

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1833 \u2013 1918<\/span><\/p>\n<\/div>\n<\/td>\n

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He wrote poetry and published books in the printing house opened by him. <\/span> <\/span>Among his works, “Tazkirei-Navvab” is of great interest, which contains detailed information about the life and work of more than a hundred 19th century Karabakh poets.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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19.<\/span><\/p>\n<\/div>\n<\/td>\n

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Najaf <\/span>Kuli<\/span> <\/span>Bek<\/span> <\/span>Shayda<\/span><\/p>\n<\/div>\n<\/td>\n

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1858 \u2013 1936<\/span><\/p>\n<\/div>\n<\/td>\n

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Decades after the poet’s death, in 2006 the Manuscripts Institute of ANAS prepared and published a book of poems by Najaf Kuli <\/span>Be<\/span>k Shayda.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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20.<\/span><\/p>\n<\/div>\n<\/td>\n

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Rustambekov<\/span> <\/span>Iskander<\/span> <\/span>Bek<\/span><\/p>\n<\/div>\n<\/td>\n

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1845 \u2013 1918<\/span><\/p>\n<\/div>\n<\/td>\n

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Throughout his life, he has stood on educational positions, advocated for science, culture, and education, and <\/span>really<\/span> often<\/span> spoke to the people of Shusha and Agdam, calling on them to learn and read.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n

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21.<\/span><\/p>\n<\/div>\n<\/td>\n

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Shakir Baba <\/span>B<\/span>ek<\/span><\/p>\n<\/div>\n<\/td>\n

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1770 \u2013 1844<\/span><\/p>\n<\/div>\n<\/td>\n

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Baba Bek’s satire exposed the greedy bek<\/span>s<\/span>, causing of obscurantism and illiteracy among clergy, corrupt officials, cruel and rude commandants, officers and civil servants.<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n

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Qarabag.com continues publishing materials about outstanding natives of Shusha and presents a list of famous Azerbaijani poets and poetesses, who have left a rich artistic heritage in the national literature.<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1249],"tags":[],"_links":{"self":[{"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/posts\/5945"}],"collection":[{"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/comments?post=5945"}],"version-history":[{"count":5,"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/posts\/5945\/revisions"}],"predecessor-version":[{"id":8834,"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/posts\/5945\/revisions\/8834"}],"wp:attachment":[{"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/media?parent=5945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/categories?post=5945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qarabag.com\/wp-json\/wp\/v2\/tags?post=5945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}